Table of Contents

	Chapter	page
	List of Audio Examples	iv
	Acknowledgements	vi
1.	Introduction	1
2.	Defining Terms	5
3.	New Paradigms: Embodied Mind, Situated Cognition	19
4.	Music Cognition and Embodiment	30
5.	On the Perception of Meter	71
6.	Microtiming Studies	105
7.	Describing Rhythmic Behavior, Representing Rhythmic Structure	127
8.	Implications for Music Cognition, Musicology, and Computer Music	137
	Bibliography	149
	Discography	159